“Author cinema is absolutely an individual creation. The number of technical collaborators doesn't change anything, that's what we can see in this “ALEPH” movie - it's a typically individual work, the product of a "paranoid" system. The rhythm, the themes, the obsessions, the choice of writing bear the imprint of a wildly personal style, of a man. Not that this is self-centeredness on your part, but we believe that author cinema determines a very precise style and working methods which can be seen in this work. The creation of the film was absolutely not conceived as a group work where each expert would contribute with their work without worrying about the personal project because this film was created, produced and made during the pandemic, we believe that the author ended up finding his own path and its language in this art. According to the generic description and understanding of what an author's cinema is, widely used and defended by Italian directors: “A film is the work of an author. This author is the only one to decide on the script and staging, the direction of actors; and he should really be in charge of the locations, the choice of filming locations, the costumes, if possible the music.” And that's exactly what we see in the work of this Brazilian director, who launched himself to this model and aesthetics with a view to neo-capitalism.”